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Inspired by medieval Europe and ancient Orient, Skarazula's repertoire features stirring pieces from the past as revisited by contemporary musicians.

For several years now, Skarazula's musicians have been cultivating an interest in early music and are continuing their research to discover the rich and fascinating world of medieval music. Skarazula has more than one instrument in it's bag. Their instruments with exotic names, most of them made by the group, give opulence to their music. Whether it is to interpret their own compositions or to revisit traditional pieces, Skarazula's musicians share the same fervor and talent. 

The group's unique approach is inspired by the many ways musicians today approach ancient music. It is a question of taking inspiration from what has been discovered on this repertory without falling into historical reconstitution. The result is both modern and faithful to the medieval spirit.
Drawn from the source of the world's musical traditions, the chosen repertoire, in addition to the group's compositions, comes from a period that lies between the 12th and 16th centuries both from Europe and the Middle East. Having extended his study of the oriental musical science, François Rainville, by his compositions, brings an authentic color to Skarazula's repertoire. 

The various inspirations of the musicians translate into a mixed musical feel with multiple variations, both in terms of arrangements and techniques used. The modes and harmony of the medieval era are respected, but Skarazula stands out from a purist approach and gains great freedom by using certain instruments that were probably unknown to Europeans.
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Cittern

A plucked metal string instrument with a flat bottom, the cittern is used in Europe since the thirteenth century. Its name comes from the Greek khitara and its long and narrow neck makes it a close relative of the Turkish saz and the Greek bouzouki as well as the Moorish guitar. The strings can be doubled or tripled giving it a deep sound.

Mandora

The mandora, a plucked double-stringed instrument, appeared in southern Europe around the 9th century. Equipped with gut strings and smaller than the cittern, it is the direct ancestor of the Italian mandolin which is very similar to it.

Fiddle

Ancestor of fiddles, violas and violins, the medieval fiddle comes from the rebec (VIIIth century), the first bowed strings instrument of the Western world, itself descending from the rebab of the Persians (whose strings were made of horsehair). An instrument named ravanastron, having belonged to an Indian ruler in the Vedic period, could be the link with the so-called inventors of bowed instruments: the Chinese of antiquity.

Oud

A pear shaped short necked instrument without frets, the oud is the preferred instrument of the Arab world which names it "Amir Altarab", meaning the prince of enchantments. The oud was introduced in Europe in the beginning of the 8th century during the conquest of Spain by the Moors and it was during the Crusades that it was distributed throughout Europe. It's name comes from the francization of the Arabic "al'ud" (piece of wood) which gave the name of lute to the European instrument that made its appearance towards the middle of the Middle Ages and which is directly inspired by the oud. Excavations in the tomb of Queen Nefertiti revealed a probable ancestor of the instrument; a lute named "nefer" from the 14th century BC with a similar shape. The Persian "barbat", which is carved in a single piece of wood, has the characteristic shape of the oud in a smaller version and would also be a likely ancestor. The five doubled strings are plucked using a traditionally elongated plectrum made of buffalo horn, eagle feather or, nowadays, plastic, which the Turks call "mızprap" and which the Arabs call "risha" (feather in Arabic). A sixth single string ("bamteli" in Turkish) can be added and modern ouds sometimes have up to eight strings.

Saz

With its narrow long neck, this Turkish stringed instrument originates from the Iranian "tambur" (880 BC). He is the favorite instrument of the Turkish "aşik" (pronounced achik), a kind of bard poet, musician, composer and singer. There are several types of saz, from the small "cura" (pronounced djoora) to the large "divan", the most common being the "bağlama" (pronounce baalama). The one played by François Rainville is a "cöğür saz" (pronounce djeu-ur). In Turkey, each region has its own specific tuning. The saz is the most used instrument in folk and popular music in the Turkish world.

Psaltery

Instrument consisting of a rectangular triangular or trapezoidal sound box on which are stretched a variable number of strings that are struck with hammers, plucked with the fingers or a plectrum or, from the seventeenth century, sometimes played with a bow.

Drone Psaltery

Instrument consisting of a long and narrow rectangular sound box on which are stretched a variable number of strings that are struck with hammers or plucked with fingers or a plectrum. Since the Middle Ages psaltery has been used to play a drone accompanying the song or the three-hole flute in several regions of southern Europe. All strings are tuned to play one or two notes, often in fifths. It has several names including stringed drum, "tun tun" and Béarn drum (instrument that inspired the design of the one of Skarazula). It is still used today to accompany folk songs, especially in the Pyrenees.

Events to come


YULE

We are presently working on our fourth album which will close the cycle of the seasons.

Feste médiévale de St-Marcellin

Concerts

August 16 through 18 2024

https://www.festemedievale.net/

FRANÇOIS RAINVILLE 
Booking and lutherie 
514 277-1931 

STEVE GRENIER 
Booking 
450 569-9849

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